"I try to imitate it with a dubbing
      of a mixture of artificial wools - partly stiff; but with a sharp lustre
      like polyamid (nylon, perlon, antron etc.), partly something more soft
      like polyacryl (dralon, rayon or natural wool), and I use white wool to
      'tone' the colours down. I cut the fibres in short lenghts, separate them
      and mix them thoroughly, until I get the right hue. Exactly the same way a
      painter mixes the colours on his palette". 
      
Simo is not using very much dubbing - Most flytiers use all too much
      material! After each turn of dubbing he brushes the dubbing backwards with
      his fingers. In that way, the tying silk will always be close to the hook
      and not placed on top of another turn of dubbing. After the tying he combs
      the whole fly with a piece of ‘Velcro’ , so that the fibres trail
      backwards. Should he by accident have used too much dubbing, then he cuts
      the fly with a pair of scissors and then treats it once more with the
      'Velcro'. 
      
       
 
      
I got a large amount of the different artificial wools he used and the
      Antron is just as sparkling as the wool one gets today. Simo Lumme
      describes his final colours for the abdomen as: Light orange, light
      sea-green and light sandy-brown. 
      
The tying can seem very simple; but it’s of utmost importance, that
      the fly looks ‘light’ and surrounded by a 'halo' of fine, fluttering
      fibres, that diffuse the contour of the fly. 
      
Nalle Puh
      Another of his creations is a dry sedge christened ‘Nalle Puh’ -
      the finnish name for Winnie-the-Pooh.